Mother Nature in perfboard by kelly heaton

I've been busy migrating my "Mother Nature" controller circuit out of my breadboard and into perfboard... and yes, it's insane but no, I don't have time to produce a printed circuit board because I'm leaving in six days for a fellowship in Mexico. For the record, I do not recommend soldering so many components and connections in perfboard because the risk of error is high, either from bad solder joints, signal interference, or just plain confusion. I plan to design a printed circuit board for future embodiments of Mother Nature. Stay tuned.

As you can see in my previous log, I'm surrounding my perfboard circuits with spray painted cardboard to make them look cool -- and by the way, you could use this quick-and-dirty strategy to make a "starving artist's badge" for the Hackday Superconference.

Kelly Heaton process electronic

As for the design of my "Mother Nature Board," aka random pulse generator to trigger various events, I have some additional technical tips to share:

  • Don't have logic ICs on hand? Build discrete transistor gates. This approach has the advantage of common components (NPN transistors, resistors, diodes) and you can add multiple inputs to the same gate -- which is useful if you discover that an event is triggering too often... just add another input to the gate and the outcome will become less frequent. Not triggering often enough? Remove or change an input to the gate. You can even tie an input to ground (or power) and let the other fluctuate. I use 2N3904 transistors for as many things as possible, but you could also build these cool light gates described by @Dr. Cockroach 

discrete_logic_gates.jpg

There's a limit to how many things you can drive directly with a signal such as the output of a logic gate. Good engineers read data sheets and calculate voltages and current at various locations in their circuit. Impatient engineers add a generic common emitter amplifier between the signal OUT from a logic device and the signal IN to whatever you're driving. This hand-waving approach to buffering will not work in all cases! But it will probably work for most slow logic applications where you want to transform a signal multiple times and drive some light loads. I'm an artist who prefers prototyping to math, so I work a lot with "try it and see" circuit design. Plus, I am not building a nuclear reactor. Note that a common emitter amplifier will invert your signal. Pay attention to whether you need your signal to be active high or active low. Note that a 555 timer in monostable aka one-shot configuration is looking for an active low input. If necessary, invert the signal again to get what you need.

common-emitter-amplifier.jpg

Mosfets make great electrical "on/off" switches because they don't draw current on their gate (==the mosfet equivalent of a transistor's base). They just need a voltage. I use mosfets for the last step in my Mother Nature circuit, or the point at which I want to turn power on or off to a particular sound circuit (the load). Make sure you have a gate resistor to ground or voltage will "sit" on the gate even when the signal is low (and the mosfet won't turn off).

mosfet-switch.jpg

I hope these tips are helpful. To end this log, I give you a video showing my Mother Nature circuit in perfboard with two sound circuits hooked up. If you watch the LEDs carefully, you will see how certain combinations of logic are triggering the sound circuits. The cricket is wired up to chirp most of the time, whereas the Katydid is triggered less frequently. For this demo, I hooked up only two sound circuits because it's already hard to understand what is happening, and more circuits becomes a sort of natural chaos... which is my goal, as you will see in forthcoming logs.

Same signal, many sounds by kelly heaton

I've been migrating my circuits out of the breadboard and into soldered form. I'm also hooking up speakers so that my sound generating circuits are ready for installation in a sculpture of Virginia's nocturnal ecosystem. Because most of my circuits use a custom piezo electric speaker (built with my own amplifier board), I have to install each piezo element into a physical housing... and there's some interesting "play" here. One electronic signal can generate many different sounds depending upon the speaker's physical design. Here's a video of me testing various installations of a piezo element for an insect that makes a steady background noise.

It's cool to experiment with the interface between electrical signal and material properties. It's also critical to get it right, or else the piezo element will make a horrible rattling or screeching. Even a tiny drop of glue (to fix the piezo element in place) will alter the sound quality --usually the pitch-- and superglue can sound different from rubber cement or hot glue or tape. All of this is no news to a human musician, who knows that a note ill-played (even slightly) is a fail, and teensy subtleties often make the difference between average sound quality and genius.

It is interesting to wonder what makes animals of the same species sound different in nature: is it their electrical impulse or their physical form? (Is it their schematic, their CAD file, or their bill of materials?) Members of the same species inherit the same circuit design as well as physique. External physical factors, such as climate, have some degree of influence over material properties of the body --for example, a dehydrated cricket sounds differently than the same cricket wet with rain; a fat frog sings a different tune than the same frog skinny; and so on and so forth. We also know that "animal circuits" are sensitive to electromagnetic fields, and capacitive coupling undoubtedly affects individuals in close proximity. I suspect that physical factors play a greater role in the variability of an individual's song if but for no other reason because birds sound the same whether they are sitting on a tree branch or an electrical transformer (at least, I think they do). PS: Eventually I will tackle the challenge of bird song, but their vocal complexity requires more computation... which is why I have started with insects.

To end this log, I leave you with one more video clip of my "background noise" insect. Here it is with a plastic spool installed over the piezo (now painted green, black, and white). The soldered perfboard is embedded in a cardboard cutout that is painted to look like a forest creature sounds. Soon, this mixed media object will be joined with other embellished animal circuits to build a vignette of nocturnal musicians.

Mother Nature Board by kelly heaton

If you’re curious about how I create circuits for my electronic art, check out my new project “Hacking Nature’s Musicians” on Hackaday.io. In a recent entry, I explain how I built a random pulse generator to simulate the natural “timing effects” of Mother Nature conducting a chorus.

https://hackaday.io/project/161443-hacking-natures-musicians/log/153829-mother-nature-board-aka-how-to-conduct-a-natural-chorus

Below (and on Vimeo) is a video overview of the circuit.

lesser angle-winged katydid by kelly heaton

lesser-angle-winged-katydid.jpg

Watercolor and analog electronic study of a Lesser Angle-winged Katydid, 2018. I plugged in a couple of crickets to give this fellow some natural context. To read more about how I made this, visit my project “Hacking Nature’s Musicians” : https://hackaday.io/project/161443-hacking-natures-musicians

Follow me on Hackaday by kelly heaton

I have started a project to describe and share my analog electronic circuits designs so that people can better understand my electronic practice. My project, located on Hackaday.io, is called “Hacking Nature’s Musicians.” You can find it here: https://hackaday.io/project/161443-hacking-natures-musicians

In a recent project log, I describe how I create chirping crickets using discrete transistors. Check it out: https://hackaday.io/project/161443-hacking-natures-musicians/log/153312-crickets-natures-favorite-astable-multivibrator



down time by kelly heaton

Earlier this week, I had arthroscopic surgery on my left hip to repair an old injury that was becoming arthritic. This post is an evolving repository of and video loops that I’m creating during my downtime.

Reconstructing tree (and me) by kelly heaton

Studio work in-progress, September 2018.

I’m getting ready to have arthroscopic surgery on my left hip to repair an old injury that is becoming arthritic. Meanwhile, looking at the state of my studio, it appears that I have imposed my own condition on this tree branch —a work in-progress for my latest Electrolier. Some people have commented that my approach is convoluted and I will not argue with that. However, I often find myself undertaking arduous and complex works because a big challenge yields so many little surprises, adaptations, and personal touches that don’t happen when you follow a direct path from concept to object. I am not a “special effects” artist. My art is more about the process of becoming —the struggle to achieve a difficult but worthy goal— than it is about the end result. Of course, I want the end result to be beautiful, but I strive for a beauty that is multi-layered, honest, generous, and full of stories.

Depending upon my recovery process, it may be a few weeks before I can continue with making sculpture. Meanwhile my studio is a good portrayal of my current state of being: a lot happening all at once, incomplete, in need of a good clean-up, and full of promise.