china

Printed circuit manufacturing by kelly heaton

Have you ever wondered how I make my printed circuit boards? This video is for you. I design all of my own circuits, artwork, and production files, but I rely on a factory to produce my boards to a high-level of precision. (Soon, I will post video about etching my own boards, and you will see the difference! Mine are poetic and beautiful as works of art, but they are not “perfect” like a professionally manufactured PCB). For the past four years, I have been working with Spring at King Credie Technology Ltd in Shenzhen, China. They have been incredibly patient with my experimental art practice. I am grateful for their support and expert technical ability. Just because they are a factory, doesn’t take away from the incredible skill and knowledge required to produce a circuit to this level of quality. Truly, this is electronic printmaking at a high level. The video shows you how it’s done from start to finish. Enjoy!

The Making of the Flower of Life, 2022

Sounds of Another Time (Rising Dragon), 2021 by kelly heaton

I am pleased to reveal my latest commissioned piece, “Sounds of Another Time (Rising Dragon),” 2021. This sound-generating work of art fuses several themes: new and old symbols, rising and falling cultures, electronic and traditional media, and feminist electrical engineering. The piece is made with functioning and non-functioning circuit boards, celebrating the expressive potential of electronic hardware as an artistic medium, and specifically highlighting the naturalistic, decorative form that electronics can take. The circuit boards are fiberglass with etched copper, some plated in solder or gold, to which I have selectively applied various chemical patinas in the style of Louis Comfort Tiffany. Because fiberglass is translucent, I am able to backlight the central dragon and cast shadow on Venus reclining with her cherubic cohorts. The silver-colored circuits on either side of the dragon (copied from an illustrated winged griffin by Alexis Peyrotte, 18th century) are abstract electronic Foo dogs that have been overprinted with floral vines in the style of Zuber. East rises above the West. Blinking LEDs on the Foo dogs evoke fireflies and are, in fact, powered by the (hidden) analog electronics that generate this cricket soundscape. There are two knobs, one of which controls the dragon’s growling voice and a second changes the chirp rate of a single cricket (to show the dynamic nature of the analog electronics). I plan to wire one piece from this series with additional knobs that control the entire soundscape in greater detail. The art can be enjoyed with or without electricity (and has the option to turn on backlighting only, without sound).

Soon, I will post images of other available works from this series (message me with inquiries) which have subtle variance in color due to different patinas on the metal. This specific piece is destined for a private collector in Washington, DC. Thank you to Felix Etienne-Edouard Pfeifle for orchestrating this amazing commission!

”Sounds of Another Time (Rising Dragon)",” 2021. Analog electronics, printed circuit boards, and silkscreen on fabric-covered panel. Unique series of 6 mixed media electronic artworks with one AP. 23.5” x 37.5 x 2"