leonardo dicaprio
Tribal Leader, 2017. Digital sketch for print
A tribute to Leonardo DiCaprio - thank you for all that you do for art and our natural environment.
"The Raft of Medusa" (1 in a series of 5 unique works), 2017. 39.5" x 54.25" Archival inkjet print, silk screen, and acrylic on canvas
I created five unique versions of this print during my summer residency at Otis College of Art and Design. This work was made possible thanks to support from Creative Capital, Otis College of Art and Design, Ronald Feldman Fine Arts, and volunteer models. "The Raft of Medusa" (1 of 5) will be donated to the Leonardo DiCaprio Foundation 2017 auction to raise money for environmental defense and climate change activism. For more information about the auction, please contact Lisa at Schiff Fine Art (info@schifffineart.com or (646) 478-8561). For more information about other prints in this series of 5, please contact Marco Nocella at Ronald Feldman Fine Arts (marco@feldmangallery.com or 212-226-3232).
BACKGROUND
Painted in 1818-1819, Théodore Géricault’s “The Raft of the Medusa” is a masterpiece of human error, desperation, and resilience. I recreated this legendary artwork for the purpose of climate change activism. I used a raft made of trash, rising ocean levels, and a carbon-saturated atmosphere to situate 21st century people adrift on a dangerous sea that they largely ignore. One occupant of the raft looks distressed, but the others are preoccupied with their cells phones or focused on other people. My message is reinforced with sea snakes and electrical cords that remind us of Medusa, the mythological woman who was cursed by Athena for her insufferable vanity.
Above: details from The Raft of Medusa (1 of 5), 2017.
Below: Images from my process of creating "The Raft of Medusa" series of 5 unique prints. The first three images show the raft that I built from trash collected in Los Angeles. The people are volunteers who came separately to be photographed on the raft. Using Photoshop, I collaged everyone into a single, coherent composition that I printed onto canvas using an Epson archival inkjet printer. Next, I created films for each design and color layer of silk screen. I burned a series of screens that I used to print "spot colors" of designs onto the canvas that add depth and texture to the rising ocean, the carbon-saturated sky, the electrical cords, and the serpents of Medusa. I screen-printed onto my inkjet print because I wanted to make nature and electricity literally encroach upon the raft and its occupants - who represent all of human civilization. Sadly, humanity is largely self-absorbed and unresponsive to the crisis of climate change.
Above top row: three volunteers from the community of Otis College of Art and Design who individually posed for The Raft of Medusa (2017)
Above middle row (left to right): my digital master file, selecting negatives for burning screens, applying photo emulsion to a silk screen. Photos of me working on the piece are courtesy of Antonia Jones of Los Angeles.
Above bottom row (left to right): rinsing my screen to reveal an image, registering my canvas prior to printing, pulling ink through the screen to print on the canvas. Photos courtesy of Antonia Jones of Los Angeles.
